A book on how to teach dance and train dancers, by one of the US's leading dance teachers. Written for dance teachers in both professional settings and academic settings. A unique approach, following Bill's own six decades of dance teaching and not covered by any other book.

Consulting for Real People: a client centred approach for leaders and change agents 2/e shows you how to become truly client-centred by empowering your client and supporting them right through to the point where the new behaviour replaces the old. Formerly titled '||'''Client-Centred Consulting: A practical guide for internal advisers and trainers'||''' this highly successful book has been fully updated to reflect advances in the field. The scope of the book has also been expanded to include issues, dilemmas and the operational styles of both internal and external change agents. Other new topics covered include change management issues for leaders, managing large-scale organisational changes, and ways in which change agents can empower themselves and their clients. The book begins with an exploration of all aspects of change management from the perspective of consultant, manager or team leader. It goes on to explore the range of consulting styles available and the structure of the consultant-client relationship. Finally it explains why successful change agents must have a high level of personal power and self-esteem and it explores ways in which these can be acquired.

(Piano Solo Personality). 24 essential Evans standards arranged for piano solo, including: Alice in Wonderland * Autumn Leaves * But Beautiful * Everything Happens to Me * Here's That Rainy Day * How Deep Is the Ocean (How High Is the Sky) * In a Sentimental Mood * My Foolish Heart * Night and Day * Some Day My Prince Will Come * Suicide Is Painless (Song from M*A*S*H) * Witchcraft * and more.

A book on how to teach dance and train dancers, by one of the US's leading dance teachers. Written for dance teachers in both professional settings and academic settings. A unique approach, following Bill's own six decades of dance teaching and not covered by any other book.

(Keyboard Instruction). Bill Evans died in 1980 but the compositional legacy he left behind is forever expanding. In Reilly's second volume, he provides a deeper appreciation and understanding of Evans' compositions. It includes two important theory chapters, plus ten of Bill's most passionate and melodically gorgeous works. The voicing charts for all ten songs are more complex than volume one and pianistically more demanding, yet always worth the effort. The subjects of modulation and key relationships that are discussed in each chapter will help the player memorize faster and improvise with more facility; not an easy task when performing Evans' music. The "Lament for Bill" in chapter 13 is the author's tribute to the genius of this great artist. The accompanying audio CD will add to the enjoyment, understanding, and appreciation of the written examples. Songs include: For Nenette * January * Laurie * Maxine * Song for Helen * Turn Out the Stars * Very Early * Waltz for Debby * and more.

Kayaking, canoeing and sailing are exhilarating, demanding and hugely enjoyable outdoor pursuits. This practical guide offers a comprehensive introduction to all three sports, for those at all levels of experience and ability. All aspects of each sport are covered, from basic information on equipment and where best to sail or paddle, to expert tuition on the core skills and techniques you will need - such as launching, rigging, tacking, paddling, capsizing and rescue. Packed with expert advice, professional hints and tips and illustrated with more than 1500 photographs and diagrams, this book contains everything you need to know about these thrilling aquatic sports.

Ten songs from this jazz master display his unique lyrical style. Alfie * But Beautiful * Dolphin Dance * Emily * I Will Say Goodbye (Je Vivrai Sans Toi) * Never Let Me Go * Seascape * The Summer Knows (Theme from Summer of '42) * A Time for Love * You Must Believe in Spring.

Note-for-note piano, bass and drum transcriptions of eight great tunes performed by the formidable trio of Bill Evans, Scott LaFaro and Paul Motian. Includes: Alice in Wonderland * Autumn Leaves (Les Feuilles Mortes) * How Deep Is the Ocean (How High Is the Sky) * Nardis * Peri's Scope * Solar * Waltz for Debby * When I Fall in Love.

Poetry. "I've always loved Bill Evans' poems and the work in Modern Adventures is both timeless and hilarious. The loving regard for all of our weakness and the muscular rhythms of these poems knock me out every time. Ever hip, ever hopeful, Bill Evans is the poet we've been waiting for."--David St. John"Here's a nice thing. Bill Evans walked into the dark night of the soul for you, caught a wave there and emerged with a poetic voice that is a present for anyone who would like to know what it is like to be alive. Or maybe he was locked in a Mexican standoff with desire and neither one budged, so they just started singing. Part teen idol, part pirate, part philosopher, as if Rumi were a carnival barker whose promises turned out to be true. Adjectives? Seductive, moving, funny, transgressive, wonder-full and achingly human come to mind. Bill's poetry is not just craft; it is a human voice that knows things, and I want to hear them."--Peter Catapano"These are the poems of an urban man and a little sad a touch bitter but it's raining out tonight and from where I am I notice Bill often likes to break into a little dance. I want to say that these are moral poems because in the hands of Bill Evans morality means feeling and whether he's listing the parts of a a 'little pilgrim' ('we're so/ proud of you') or snapping a joke what chiefly is holding his poetic together is heart which makes his work dangerous and rare in this disparate and deeply informed moment in time. We need his poems because he feels and so I kept reading and wanting more. These are the heartbeats of an ancient man looking at history from left to right and now staring us right in the eye. We are not alone."--Eileen Myles

Musicians today need more than talent and luck to become financially successful. They need a starting place. And the first step in virtually any successful musician's career is to play in a cover band. Cover bands are proven, lucrative avenues for musicians to establish themselves as serious performers and achieve repeated exposure in local venues - leading to important "word of mouth" publicity. Written in straightforward language by professional gigging musicians, Making Money Making Music guides artists through every aspect of achieving financial success through cover gigs. This easy-to-use reference shows readers how to start or join a cover band, choose the right cover songs, land the first gigs or get better ones, handle marketing and promotion, use proper sound and lighting systems, and much more.

This book is part of the A Season to Remember series, which provides a match-by-match account of a sporting team's specific season, complete with detailed player and team statistics and photographs.

In November 1965, Bill Evans went to Sweden for an engagement with local musicians in the famous Stockholm club Gyllende Cirklen (the Golden Circle), where the great Bud Powell had been extensively recorded only three years earlier, in 1962. Fortunately, two radio broadcasts from these Golden Circle performances were preserved for posterity. Although they were recorded with amateur equipment, which produced less than perfect sound quality, these Stockholm sets are very interesting from a musical standpoint, for they present Evans playing a program a bit different than the one he normally played with his regular trio of that period. These are, for instance, the only known recordings of Bill playing with Palle Danielsson and Rune Carlsson. Two musicians who often played and recorded together, As a bonus to the two Stockholm sets, we have added the three existing tracks from a 1968 TV broadcast with an invited audience, in which the Bill Evans trio (featuring Eddie Gomez and Jack De Johnette) played with the CBS orchestra and fellow pianist John Lewis. The most unusual track is "Granadas", which Evans had recorded in the studio with Claus Ogerman in 1965 for the album Bill Evans Trio with Symphony Orchestra. Lonehill Jazz. 2007.